Them's the Breaks

The family evacuated their home in the Adelaide Hills and came to stay with us during last week's catastrophic bushfire period. In the evening of the hottest day, after the grandkids had been cooped inside all day, we got outside when the back garden was in shade and were having one of the best water battles, chasing each other with the hose and having a lovely time.

In one skirmish we all got tangled up, tripped, and I put my hand out to stop us crashing into a wall. I straight-armed into the wall, my shoulder sort of imploded and I went down in a screaming heap. I do not mean that figuratively.

My family is amazing; elder daughter took charge and called triple 0 while getting me and everyone else organised.

Caroline and Mary, the two brilliant ambos, got the worst of the pain under control and it took them plus a couple of firies whom they called in from a nearby job to get me onto a gurney, out of the garden and into the ambulance

I was admitted to the ED at the new RAH immediately, no queues or ramping on what was a very busy night.

Could not fault the staff or the care I got - all were excellent. Perhaps it would be good if politicians, decision-makers and quick-on-the-draw critics were compelled to spend a night as an observer in ED to see just what the staff have to put up with and how they go about looking after all kinds of people calmly and professionally.

Long story short - I have a very messy fracture of the head and neck of the humerus with bits and fragments generously scattered here and there. As the doc said, "You made a good job of it".

The bad news is that there is no procedure to fix it, just a collar and cuff sling, time, gritted teeth and occasional pain relief when it gets too bad.

Sleeping is a challenge, as is standing and sitting.

I was discharged the next morning with my sling and prescription and am now home. I think I am in for an interesting Christmas and New Year.

The Blues

Our five-and-a-half year old grandson is sorting his coloured textas into groups.

He picks up the bundle with every shade of blue. He can just about get both hands around it.

"Look at all these blues", he says.

"My goodness, that's an awful lot of blues", I say. "I don't think I've ever seen that many blues before".

He heaves a sigh and says, "Sometimes you can have too many blues in your life."

Piano Rolls Update

Well they didn't arrive. And the longer I waited, the more they didn't turn up.

The vendor tried to track them down but with no luck, so refunded the money before being asked to.

Somewhere in Australia there is a lonely box of Pianola rolls looking for a good home. I wonder if it will surface one day?

Kindness of Strangers

I am amazed and delighted at the kindness of random strangers.

Last week I bought some vintage pianola rolls on eBay - as you do. Saturday afternoon I got a message saying the order had been sent.

Sunday lunchtime I got a phone call from a complete stranger in Sydney who was standing next to a mail box in a street in Cremorne. On top of the mail box was a large parcel addressed to me. It was in full public view, just sitting on top of a mail box in a busy street where hundreds of people were walking past, many eyeing the parcel with varying degrees of curiousity or caution.

It had my name and address clearly showing and the unknown Good Samaritan had gone to the trouble of looking up my phone number online and calling me to see if he could help.

Once we'd worked out what it probably was and that neither of us were hoaxers, we tried to figure out a way we could get it back on track. Being Sunday, the post office was closed and wouldn't re-open until Tuesday because Monday was the Australia Day holiday. The anonymous helper couldn't hang around and didn't know anyone in the street with whom he could leave it until I'd sorted out the next step. I asked if maybe he could leave it in a nearby shop if there was one open and let me know the location so I could follow-up later.

That is how we've left it. Meanwhile I've messaged the vendor via eBay asking if it actually is the parcel meant for me, and how come it ended up sitting on top of a public mail box in Cremorne.

I'll keep you posted when I know some more about what's going on.

Coming to Australia part 2

I counted 78 forms I had to fill in during my application period in order to get to Australia.

On several of them I answered "No" to the question "Do you need accommodation on your arrival in Australia?" And on dozens of them I put the address where I would be staying.

Nevertheless, as I disembarked the aircraft, there was a very nice woman waiting at the bottom of the steps to take me to the migrant hostel in Woodville.

I explained that I didn't need to go to the hostel and my accommodation was all arranged.

She was quite insistent, to the point of grabbing my arm and trying to pull me towards a waiting van. I stood my ground. Pointing to a group people waiting at the gate I said, "See those people over there? That's my wife's family. I'm going to stay with them." And much to her consternation I walked over to join them.

About five weeks later, in my new teaching job, I got talking to one of the other new teachers and we discovered we had arrived in Adelaide on the same day. He and his wife were staying at the hostel while waiting to move into a new house that was being built.

I told him about the incident with the welcoming party and the attempt to drag me to the hostel.

He said, "Oh, you're that Ian Short! They are still laying a place for you in the dining hall."

Coming to Australia part 1

On this day, 45 years ago, I arrived in Australia.

It was a stinking hot day and after 36 hours in the air from London via New York, Los Angeles, Hawaii and Fiji, I met my wife's Adelaide family for the first time.

Immediately, my new brother-in-laws whisked me over the road to the pub. One asked the barman, "A schooner for our Pommy brother-in-law".

"Oh, you're a Pom", said the barman. "How long have you been in Australia?"

"Twenty minutes", I replied.

"What do you think of the place?"

I must have given the right answer because not only did I get an ice-cold beer, I'm still here in this astonishing country forty-five years later.

Conversations with a four-and-a-half year old

1. Looking for a snack.

"Can I have a fritzle?"

"A what? What's a fritzle? Show me."
"This is a fritzle. It's shaped like a loveheart, and it's got salt on it, and it's colour is browned."

2. Playing with a book of stickers.

"Have a sticker, Mum". (He hands one over shaped like a star with a face). "I've got a rock star one".
"How do you know it's a rock star?"
"It's wearing glasses; I can't see through them".
😎
"Yep. Rock n Roll!"

Where else would a boy from Birmingham start his working life but in an iron foundry?

It’s fifty years this month since I started my first full-time job at Rood End Foundry in Oldbury in the Black Country.

Iron founding is hot, noisy, dirty and dangerous. And the worst job in a foundry is repairing the lining of the furnace where the iron is melted.

Every morning at 8 o’clock you climb up inside the cupola – that’s the furnace – where it had been 1500degC the day before.

The cupola is a vertical steel cylinder ten metres tall that squats a metre off the ground on four short steel pillars. It is lined with fire bricks 20–30 cm thick, leaving a hollow shaft up the middle like a well 50 centimetres across. You have to crawl in from the bottom and climb two metres up into that well to repair the lining.

There is barely enough room for a big man to fit into the well. It’s difficult to bend your knees to climb the ladder. You can’t stick your elbows out to work until the shaft widens slightly in the melting zone two metres up. The firebrick lining holds the heat from the previous day’s melt so it’s like being in an oven, and that heat causes a tremendous up-draft carrying dust, grit and fumes that make it hard to breathe.

First you chisel off the lumps of solidified slag from the walls, then you plaster the eroded spots with ganister – a special kind of fire clay. Your buddy outside has a wheel-barrow full of the stuff. He forms a big dollop into a ball and shoves it up the well as far he can reach with you inside – hopefully near your crotch where you can just reach it without bending - you can’t bend, there’s not enough room. Then you work the ball of ganister up your body until it reaches the slightly wider melting zone level with your chest. Now you can get your arms up and plaster the walls of the well. Then you grab another dollop.

The black and white photo gives you a bit of an idea. To take it, I crawled in through the charging hole one floor up and pointed the camera down the shaft of the furnace. You can see the top of my offsider Sam’s head as he patches the lining. Earlier, that was me down there.

   

 I’ve kept that photo near me through every job I’ve ever had since then; all through teaching, as a speechwriter, policy adviser, public servant, consultant and writer. It’s next to my computer now as I type. Whenever work threatened to get a bit overwhelming or colleagues were being awkward, I would look at that photo and remember that things could be a whole lot worse, and some people have to put up with much more difficult situations throughout their whole working life.


In other photos, you can see Big Joe Winston standing at the bottom of the cupola. He is holding a steel rod (a “bott stick”) to chip out the plug that releases the flow of molten metal. He offered to teach me how to do it; he’d been doing it for years. But I passed on that one – make a mistake and people can get killed.

Below, round the side of the cupola, slag is blowing off through a vent. On the foundry floor, molten iron is flowing from a drum ladle into a floor mould. Munsih Ram is using a spoon ladle to pour iron into moulding boxes while his workmate uses a larger two-handed ladle.

 

 

Conversations with a nearly-four-year-old.

1. Watching the RAAF Roulettes aerobatic aircraft team from our back yard:

Him: Are they coming back?

Me: I don't think so. I can't hear them. I think they've gone.

Him: Yes they are. They're coming back. I can hear them!

Me: I think that's a truck in the next street.

Him: No, I can hear them.

Me: I think they are a long way away. They are too far away for you to hear them.

Him: I can hear them. I've got very sensible ears.


2. On a pedestrian footbridge high above the river:

Him: That's a long way down to the water.

Me: I've got an idea. Why don't we find a stone and drop it in?

Him: No, don't do that. Don't throw it in.

Me: Why don't you want to throw a stone into the river?

Him: It might be a beautiful stone.

Conversation with a three and half year old.

We are in the car, on the way home after picking him up from child care. 

“Did you play any games today?” I ask.

 

“I did”.

 

“What did you play?”

 

“We played the wee-wee and poo-poo game.”

 

“The wee-wee and poo-poo game? That doesn’t sound very good. What do you do in the wee-wee and poo-poo game?”

 

“We push people down the slide”.

 

“You push people down the slide? Did you push anyone down the slide?”

 

“I did. I pushed Daniel down the slide”. 

 

“That’s not very nice,” I say. “What would happen if someone pushed you down the slide? That would be very difficult, wouldn’t it?”

 

“I can handle it.”

 

“I don’t like the sound of this game at all,” I say, trying to keep a straight face. “It’s not very nice.”

 

There is silence for a couple of minutes, then a small voice comes from the rear seat:

“The wee-wee and poo-poo game doesn’t exist.”

 

“I don’t understand. What are you trying to tell me?” I ask.

 

“The wee-wee and poo-poo game doesn’t exist,” he says again.

 

“Do you mean that you told me a made-up story? Did you just tell me a great big fib?”

 

“I did,” he says smugly.

The Devils' Boot

When the Devil came stomping through the Buckinghamshire countryside a few hundred years ago, terrifying the inhabitants and leaving destruction and chaos in his wake, a group of locals armed with clubs, pitchforks and an old sword gathered at the village of Soulbury to confront and stop him.

The Devil's Boot, Soulbury

In the ensuing battle, they succeeded in cutting off his foot. As the Devil fled from the scene his disembodied foot immediately turned to stone. They left the boulder where it lay and it became known as "The Devil's Boot".

Over time the village grew around it and today it lies embedded in the roadway in the middle of a T-junction.

In 2016 a motorist crashed into it and demanded £18,000 compensation from the local Council. The Council decided to remove the stone as a health and safety and risk mitigation measure.

But the local villagers, like their predecessors centuries before, took up arms against their modern day opponents and threatened to chain themselves to their special rock and fight the council through the courts if it tried to move the Devil's Boot from its traditional resting place in the village.

Like their predecessors they won the battle and drove off the enemy and the boulder still lies proudly in the middle of the road where it has been for centuries.

Less poetically inclined persons might try to tell you that it is a merely a "glacial erratic", a random boulder originating from Derbyshire and deposited by the Anglian Glacier as it retreated up the Vale of Aylesbury 11,000 years ago, but we know better.

Witch Marks

Three intriguing images are carved into the stonework of the doorframe of St Michael's, a well-preserved Norman church in the village of Stewkley.

They look like partial wagon wheels, each the size of a saucer or side plate. 

The one at the top at head height is a "mass dial". It's a miniature sundial; in medieval times the priest would place a small rod on the centre dot to form the gnomon and as its shadow fell onto the various radial lines it would tell him the correct times to conduct mass. 

The other two - one half way up on the right and one near the bottom at knee height are very different. They are witch marks. 

Something strange must have happened in the church or local area, and the superstitious villagers carved their rough versions of the priest's "magic" symbol to protect the church from evil spirits and ward off witches.

Is my grandson a time-traveller?

What are they teaching them at child care nowadays - quantum mechanics? Or is my three-year-old grandson some kind of infant Time Lord?

Having nailed the concept of space-travel (see my post dated 16 April) he is now contemplating its relationship to time-travel.

We were returning from a trip to the local library where he had been playing with another little boy.

“How old was that other boy?” I asked him

“Four”, he replied.

“And how old are you?”

“Three”.

“How old will you be next birthday?”

“I don’t know”.

“Well, what comes after three?” I hinted.

“Four”, he said

“That’s right," I said. "You will be four next birthday.”

“Will I get presents?” he asked hopefully.

“Yes", I said. "But you will have to wait a long time. Your next birthday is a long way away.”

"I will go in Daddy’s car then.”

Music Bio - by Reuben Fogg

The writing was on the wall when Ian learnt classical clarinet at school and kept getting told off for playing the bass line of a Bach fugue in swing style. They said, “That’s not how it’s written”. He told them, “It sounds better that way.”

When he bought a beaten up old saxophone in a junk shop, his music teacher wouldn’t speak to him for a while, so he taught himself to play it, with the help of a tattered copy of the now-famous Tune-a-Day instruction book.

Growing up as a teenager in the 60s he managed his first band The Trojans in Birmingham, UK where he acquired his first acoustic and electric guitars. This time it was the late Bert Weedon’s Play in a Day book that helped, as it did for many other aspiring young guitar players in those days.

After selling his instruments so he could afford to eat while at University in Leeds, he set up one of the early mobile discos, entertaining at parties and small clubs, continuing in London in the early 70s and then Australia. He still has all the records.

While teaching English in an Adelaide high school, he inherited a piano and began to tinker around with it, teaching himself a few chords. He promised himself that one of these days, he’d work out what the black keys were for – and why there was one missing in each alternate group of three*.

There he became friends with the head of music – the late Bob Davies, former swing band leader – who recruited him into playing vibraphone (didn’t see that coming) and later doubling on sax in a teachers’ jazz band.

After a career change and a break from playing music, he was lured back into it when an eclectic “work band” formed within the Government’s Office of Science, Technology & Innovation. The drummer was Ivor Hay, former member of the legendary Australian punk band The Saints. On bass was the late James Tizard of the former Adelaide punk band The Spikes. The lead vocalist was Jeremy Phillips, currently entertaining folk in Reverend and Mrs Rowdy's honky tonk revival shows.

Inspired by the Australian touring rock show “Long Way to the Top”, Ian took up guitar again in 2004 (now where’s that old Bert Weedon book) and joined the Weekend Warriors Program in Round 3, playing in his first Warrior band Soul Riders.

For the next couple of years, he played in a regularly changing line-up with various other Warrior members. That line-up eventually became The Iron Chefs for a few shows before morphing into Wis’n Up in 2007. When Wis’n Up folded, some of its members formed a new band Johnny and the Walkers in which Ian played until mid 2013.

He gatecrashed a Wound Up rehearsal at the end of 2012 and much to his and everyone else’s surprise, has continued playing with them.
____________________________________________________
* Ian says he’s now worked out that the main function of the black keys is to stop the white keys rubbing together. They are the same as the white keys but play a bit louder and faster. They are supposed to be in groups of twos and threes. Keyboards with black keys that go 2, 3, 2, 3 are for right-handed players; those that go 3, 2, 3, 2 are for left-handers like himself.

Star Child

My grandson and I are walking round the garden at dusk after his third birthday party, searching for lost toys with a torch.

Suddenly he says, "What's that little dot?"

"Which dot? Where?" I ask.

"That little shiny dot up there", he answers, pointing to the sky.

"That's a star," I tell him, "it's a long, long way away".

"I will have to go on my bike then," he says thoughtfully.

No more teacher...

This day, thirty years ago, was my last day as a teacher.

On the final day of Term 1, 1987, I walked out of my classroom for the last time after 17 years as a teacher and Head of English, Drama and Film Studies.

I’d had a ball and enjoyed just about every minute of my time at John Kelly Boys High School in London and Gilles Plains High, Salisbury High and Para Vista High in Adelaide, South Australia.

I worked alongside some extraordinarily dedicated and enthusiastic teachers and met some astonishingly talented young people. I think we did some good stuff together, and it was a privilege to share some of the subjects I love with hundreds of students. Several of them still keep in touch and now that we are all nearly grown up, I count them among my friends.

And I’d like to reassure Daniel Cullen that I wasn’t leaving because of him, even though he had convinced himself that I was. I had simply decided that I didn’t want to be a teacher any more, around the same time that an interesting opportunity had arisen.

Daniel, as the symbolic representative of all the students I’ve ever taught, wherever you are and whatever you are doing, I wish you all well and hope life has treated you kindly.

Bouncer

“How would you like to earn a few quid for a couple of hours work?”

I’ve always liked those words. And having gone back to study after a year in the foundry they were especially welcome.

“Sure. What do I have to do?”

“One of my offsiders is sick. I need someone to help me with security at a dance tomorrow night.”

“You want me to be a bouncer?”

“Yeah. It’s just a dance. You’ll be fine.”

“OK, count me in.” Anything for a laugh, I thought.

“Great”, Terry said. “Oh, and wear a suit.”

Next evening I put on my one and only wedding, funeral and interview suit and turned up half an early for my instant training session on how to be a bouncer.

“Mick, this is Ian; Ian, Mick”, Terry said as he introduced me to the third member of the team. Mick had no neck and his shoulders brushed both sides of the door frame. He grunted and held out his hand. It was like grasping a log.

“Take off that tie and put this one on”, said Terry, handing me a slightly greasy, ready-made, clip-on bow tie.

“Why?” I asked.

“If someone grabs your neck-tie, you’re trapped. Or they could choke you with it. With the clip-on, all you have to do is pull back and it comes away in their hand.”

Had the temperature just dropped?

“Look, just watch me and Mick. Do what we do. Try to stop anything going off before it starts. Talk them down or laugh them out of it if you can. If you see me make a move towards someone, you come round behind the guy I’m talking to. I’ll do the same for Mick, Mick’ll do the same for you. He’s got your back, you’ve got mine, I’ve got Mick’s. OK? Then let’s get out there.”

“Oh, one more thing. Chew this.” Terry handed me a packet of gum.

“I don’t like gum.”

“Just chew it,” Terry said. “It stops your lip trembling when you’re scared and it keeps your tongue away from your teeth so that when someone hits you, you don’t bite off a piece of your tongue.”

Ever noticed that the crowd on a packed dance floor usually seems to rotate, very slowly, anti-clockwise? Terry, Mick and I took up well-spaced positions near the edges of the crowd, in a triangle formation covering the whole floor, moving slowly clockwise against the gradual rotation of the dance crowd. Each of us had a view of half the dance floor and the bouncer in front without turning our heads.

Thank goodness for the gum. I have never been as terrified in my life as I was in that first half hour.

Over the next three hours, the fear gradually settled into a sort of anxious wariness while the skin on my back prickled and crawled.

At six foot, I was taller than most of the teenagers in the hall. I was a couple of inches taller than both Terry and Mick. Both wore dinner jackets. Terry looked a lot like a young Sean Connery in the early James Bond Films. He’d laughed when he told me that he’d been mistaken for Connery a couple of times. “You’re not as tall as you look in the movies”, someone once said to him.

Terry was solid muscle. Mick could have got a job as a boulder. Between them, I looked like a greyhound between two mastiffs.

Terry looked relaxed and friendly. I saw him acknowledge some people and exchange cheerful words with others as he moved around the room. Twice I saw him move quickly towards someone and, as instructed, I moved just as quickly behind the guy he was talking to. I don’t know what I would have done if things had got ugly. I didn’t need to find out. Standing behind the punter I could see the look that Terry was giving him. It was not a friendly look. It was a look that said, ‘Go on Sunshine, give me an excuse to tear your limbs off.’

The guy backed off. Five seconds later the cheerful Terry was back, smiling and nodding at various folk.

The second time, just before we moved back to our stations, I noticed a black cylindrical object tucked into Terry’s waistband. It had a knob and wrist-strap - a cosh or maybe a truncheon?

“You didn’t tell me you were expecting trouble”, I said accusingly, nodding towards the handle. He pulled it out. It was a folding umbrella he’d picked up during the last circuit and he was going to drop it off in lost property when he went past.

It’s strange walking through a crowd as a bouncer. Tiny gaps between bodies widen as you approach and close behind you. I glided through them with the merest hint of a body turn. It was almost like dancing. After all, I was a dancer not a fighter. I wondered what the people would think if they knew that the skinny bouncer with the long hair had won a Twist competition on this very dance floor only a few years earlier.

Most people ignore you, easing out of your way as you pass by. Some eye you off warily, maybe weighing up their chances against you if they decide to have a go, but they avoid catching your eye. A few are obsequious and a bit fawning – members of a temporary fan club who want to make friends with the bouncer, buy you drink, have a chat, like sycophants round a school bully. It’s a bit creepy.

I found out later that Terry had dropped a word here and a hint there and a rumour had got round that I was black-belt karate expert who had just got back from studying in Japan. Back then karate was still a mysterious, little-known area so maybe it was just plausible enough. Luckily, no one decided to put it to the test.

The one time I moved towards potential trouble and faced off with the offender, Mick appeared behind him as if by magic, moving surprisingly nimbly for a big man. He did more than appear; he loomed menacingly – end of problem.

The dance ended with no major dramas. When the punters had gone and the band was packing up, the three of us took off our ties, loosened our top shirt buttons and collapsed into chairs in the manager’s office. The manager handed Terry a grubby envelope. Terry slid out some creased notes and passed them to Mick and me.

As I slipped mine into my pocket he said, “Thanks, Ian. You did all right tonight.”

“Thanks, Terry. It was an interesting experience.”

“Ken will be back on deck next week. But I’ll give you a call if ever I need an extra body sometime. See you around.”

The following Friday, Ken was stabbed as he crossed the car park after the dance.

Happy 20th Birthday, South Australia Central

Twenty years ago today, we launched South Australia Central, the pioneering, whole-of-government web portal.

Groundbreaking in its day, SA Central (Mark 1) was a pre-Google directory and catalog of every South Australian website and all online information about SA from government, business and community sources.

One of the very first government portals to provide a single point of entry to government information and services, it used library-standard cataloguing to ensure that people could easily find the information they needed. That led to the subsequent development of website metadata to accurately describe websites and their contents.

In parallel, our e-Business team also began to work with government agencies to help them develop and transition their services to online delivery mode, so that SA Central could become a one-stop shop for government information and transactions, evolving over time into today's online government presence and services.

Launched at the former Ngapartji Cooperative Multi Media Centre in Rundle Street, it helped position South Australia in the global ICT scene.

Facebook Scam - Second "Friend" Requests

Have you received a Facebook Friend request from someone who is already a Friend? 

Or maybe some of your existing FB Friends have told you that they have received a second Friend request that you know nothing about. 

Has your Facebook page been hacked? Probably not. 

It happened to my friend - let's call her Helen. I received a second Facebook Friend request that looked like it came from her.

It's fake; it was part of a Facebook scam called “profile cloning”.

It means that someone set up a fake page using Helen’s name and copied some basic information from her real page into the fake page. No one hacked or gained access to her real page. 

The owner of the fake page then sent Friend requests to Helen’s real friends in order to “harvest” friends for the fake Helen's page. 

Why do they do it?

At the simplest level, the scammers are trying to collect email addresses or contact details that they can sell to spammers or use themselves to send spam. In this scenario, the next thing that happens is that those of us who innocently accepted the fake requests and thus became friends of the fake Helen start receiving Facebook messages or pop-up adverts with dodgy links promoting dodgy websites or dubious services, or we are bombarded with spam emails.

At a more sinister level, the scammers are trying to collect any scraps of confidential information about real people that they might be able to use to access their target's other accounts or to steal their identity.

More likely they are setting up a "con" where we start getting worrying messages from the fake Helen a few weeks down the track. "Helen" is begging for help to rescue her from a desperate situation. Her urgent plea for help might say something like she is sick in hospital overseas. An elaborate one might say she is on holiday in somewhere like Thailand or Russia where her bag has been stolen containing all her money, credit cards and tickets; she can't pay her bill at the hotel where the manager is threatening to call the police and he won’t return her passport until she pays up and she is stranded with no one to help. It often sounds fairly plausible, especially if the real Helen is a frequent traveller. The message then asks if you can help her to get out of the mess and get back home by sending some money which she promises to pay back as soon as she returns. It gives details of "her" bank account where to send or deposit the money. Needless to say, anyone sending money will never see it again. 

What to do about it?

First check whether any FB Friend appears twice in your own Friends list. If so, look at both profiles. The fake page is usually easy to spot. Often it has very little content; there is little more than the person's name and profile picture on it. (Remember though that some people might have two separate Facebook pages for perfectly good reasons, e.g. one personal and one for business.)

If you find you are a friend of a fake page, then “unfriend” the fake person. (In your own Friends list there is a button labelled “Friends” next to each profile picture. On the fake friend's profile, point to that "Friends" button with your cursor and a drop-down menu appears – the last item is “Unfriend”.)

To make it harder for such scammers to do the same to you, first go through your own list of friends and unfriend anyone that you don’t actually know or recognise. Then go through your Facebook privacy settings and make the different types of information about yourself visible only to yourself, or to friends only, or to friends of friends as appropriate to your level of comfort. If you set your own friends list to be visible to "only me", it will prevent a profile cloner from seeing that list and sending fake friend requests to your real friends. If you set your friends list to be visible to "only friends", it will have a similar effect, unless you have already inadvertantly accepted a fake friend request - then the scammer can see your list and send them messages.

Don't accept a friend request from someone you don't know. When you receive a friend request from someone you recognise, check to see if that person is already on your Friends list. If they aren't, check the person’s profile to make sure it looks genuine before you accept the request. However, please note that some genuine profiles, depending on the owner’s privacy settings, are largely hidden from public view and visible only to people who are already friends.

And if you ever receive an out-of-character message, a plea for help or a request for money from a “friend”, contact the real person by some other means such as telephone or SMS to see if the message is genuine or not. Do not hit “Reply” to such a message and don’t click any links in it. 

What to do if your page/profile has been cloned

If you are the victim of a cloned profile, you might not be able to see the fake page yourself because cunning cloners sometimes block the real person from the fake page to delay their finding out about it.

If it happens to you (e.g. your friends tell you they have received second friend requests from you) tell Facebook that someone has cloned your profile and ask Facebook to remove the fake page.

This is a link to the Facebook help page that explains how to report various Facebook misdemeanours: https://www.facebook.com/help/181495968648557/. On that page, the item you need is the first one, "Profiles". In essence, it tells you to go to the fake page and click on the "three dots" button next to the "Message" button in the bottom right of the header image - this reveals a drop-down menu with an option "Report". However, if the creator of the fake profile has blocked you, you might want to ask two or three trusted friends to report it.

Fauré's Requiem

Enjoyed an astonishing afternoon with the Adelaide Chamber Singers and Melbourne's Polyphonic Voices performing Faure's Requiem in St Peter's Cathedral, Adelaide, building a cathedral of sound inside the cathedral of stone.

Adelaide Chamber Singers is one of Australia’s leading chamber choirs and South Australia’s only fully professional choral ensemble. It is internationally renowned for its presentation of choral chamber music in all its variety, from ancient and contemporary, sacred and secular choral music to the highest international standards while making it accessible to today’s audiences, performing Messiah in both orchestral and chamber configurations, to being the choir of choice to back the Rolling Stones and other popular artists such as the Hilltop Hoods.

It was my privilege recently to assist this supremely talented group with writing and editing for its successful application for grant funding from ArtsSA for next year’s subscription series of concerts.